Vox Apollo IV played by Mike Anglin on 'Tell Me Now' by Liana FarinaSeveral models of Vox basses featured active electronics powered by a nine volt battery for Distortion ('Dance to the Music') and Treble/Bass Boost ('Happy Jack') effects and a 440 Hz LC controlled 'E-Tuner' circuit which crossfades with the Volume Control knob.The Apollo bass featured a single neck pickup and a single cutaway design similar to the Gibson ES-135 guitar, and the Vox Distortion and Boost active electronics. It was available in Sunburst or Cherry finishes. The Saturn bass is the identical but without the active electronics.The Panther, Bassmaster and the Hawk were solid body instruments similar in style and neck scale to the Fender Precision Basses (respectively), featuring a rosewood fingerboard on a polished sycamore neck. The Panther was Vox's lowest priced bass, available in black only, and had one single-pole pickup mounted at a 45° angle to the strings. The Bassmaster had two passive pickups and came in red, white or sunburst finishes. Both had the smaller 'guitar'-sized machine heads. The Hawk had the active electronics, a thinner neck and the large-ratio 'Fender Bass'-type machine heads on a very large ovoid and four 'Precision Bass Tuners' on the one up-side.The Cougar bass was modeled in shape after the Gibson EB-2 hollow body bass guitar, which in turn was modeled on Gibson's ES-335 guitar.
Vintage Vox AC30 serial number 5225N circa 1962. This amplifier was purchased from the original owner who had owned it from new, having purchased it himself from Frank Hessy's Music Shop, Stanley Street Liverpool in early 1962. Tan covering, brass vents, leather strap handles, copper coloured control panel, square rear cabinet edges. Vox 3504 standard double octave bass guitar serial number 1010087 - Hard rock maple body, neck and fingerboard 34' scale length - full specification.
It was used by Douggie Reece of on many sessions with. The Cougar came in fireburst (rare), red and tobacco sunburst colors. The necks and scales varied between 1964 and 1967 with Gibson-like 2-on-a-side tuners. 'Vox' was inlaid vertically on the large. It had a metal nut and a zero fret. The two single coil were passive, and each had a volume and tone control; on Crucianelli guitars the pickups are floating pickups with metal covers (toasters in 1964, the slots were replaced by holes in 1965) and on EKO made Cougars, the pickups have plastic covers.
There was a selector switch to choose either or both pickups. The unsecured floating could be raised or lowered by means of adjustments, similar to a Gibson 'tune-o-matic' bridge of the same era. The was floating, attached to the body by a metal rod. Some players removed the, as it served little purpose on an instrument usually played without a pick and almost never strummed, even if played with a pick. The Cougar was first made for VOX by Crucianelli in Italy in 1964 and 1965; the 1964 model has a batwing shaped pickguard and looks identical to the Panaramic brand bass guitar made by Crucianelli in 1963. In 1966, EKO took over the manufacture of the VOX Cougar and EKO Cougars can be easily identified by the white pickup mounts.
The Crucianelli made VOX Cougars are extremely rare today as are Panaramic guitars made by Crucianelli.The Constellation double-cutaway, hollow body bass guitar was slightly smaller than the Cougar, similar to the Violin Bass. It was used by with, and also by of.
It had a sunburst finish, a very thin, bound mahogany fingerboard, maple neck with 'Tee-Bar' truss rod, and a very large ovoid-shaped headstock with raised metal 'VOX' lettering. The bridge could be raised or lowered, and had individual, adjustable saddles.The Constellation had a metal nut and a 'zero fret', a floating, two very aggressive sounding passive pickups, and the active electronics.
There is 1 passive tone control for each pickup.The tone was quite thunderous even though the pickups are single coil. The tailpiece bail was 'Mosrite-Bigsby' type and used the 'Fender Bass'-type machine heads.The Violin Bass had two extended range pickups; polished neck with binding; adjustable master bridge channel; rotary pickup selector and precision machine heads, with no active electronics.The Phantom IV and Delta IV Basses had the 'trapezoidal' body of the Phantom VI guitar. The Delta IV had the same features as the Constellation IV, and the Phantom IV had no active electronics.The Mark IV Bass had the hollow 'teardrop'-shaped body like the Mark VI guitar, with two single pole pickups. The Constellation IV model bass guitar had the same neck, hardware and electronics as the Constellation, but with the teardrop-shaped body.A special edition of the Mark IV, the 'Bill Wyman Bass' was designed by Vox for the 's bass player, for which lent his name under endorsement. The guitar was an electro-acoustic tear drop model with two chromed pickups and pick plates.External links., a Vox online resource. The Vox Guitars Book.